‘Salvage has come together with the sort of great leaps only an artist with a lifetime sculpting experience can conjure. It is in many ways Helen Denerley’s Everest, a peak, in her output and at a time when most see the fragility in the natural world around us. Many also feel an affinity with the creatures she sculpts and we share the Earth with: the butterflies and pollinators that Denerley forms from discarded bicycle parts, springs and the now jewel-like screwdriver blades, the gentle grazing goats made from plough shares, a graceful flying red kite magicked from discarded scythe blades and small birds from old spoons. Here is a resurrection rising from things we throw away too quickly.’